Founded in 1938 and published semiannually by Sophia University
MN 79:2 (2024) New 167–214Through the Eyes of Ladies-in-Waiting: Female Spectatorship and the Power of Knowledge in the Genji ScrollsJoannah Peterson- MN 79:2 (2024) New 278–84Kabuki’s Nineteenth Century: Stage and Print in Early Modern Edo by Jonathan E. ZwickerMatsuba Ryōko
MN 75:2 (2020) 205–39Visualizing Hungry Ghosts in Heian Japan: Gakizōshi Scrolls as “Translation”Haruko Wakabayashi
MN 73:1 (2018) 27–85The Aestheticization of Korean Suffering in the Colonial Period: A Translation of Yanagi Sōetsu’s Chōsen no BijutsuPenny Bailey- MN 73:1 (2018) 63–85Korean ArtSōetsu Yanagi, Translated by Penny Bailey
MN 65:2 (2010) 357–95From Art without Borders to Art for the Nation: Japanist Painting by Dokuritsu Bijutsu Kyōkai during the 1930s (Images)Mikiko Hirayama- MN 65:2 (2010) 357–95From Art without Borders to Art for the Nation: Japanist Painting by Dokuritsu Bijutsu Kyōkai during the 1930sMikiko Hirayama
MN 63:1 (2008) 1–50The Inflatable, Collapsible Kingdom of Retribution: A Primer on Japanese Hell Imagery and ImaginationCaroline Hirasawa
MN 62:2 (2007) 211–19Perspectives on “Scenes of the Capital”Yasuhiro Satō
MN 61:1 (2006) 93–103Networking for Pleasure and ProfitAnne Walthall
MN 59:3 (2004) 391–94Meiji Music in BerlinJ. Scott Miller
MN 59:2 (2004) 179–222The Two Faces of Nagasaki: The World of the Suwa Festival ScreenReinier H. Hesselink
MN 59:1 (2004) 1–34Visions of the Dead: Kano Tan’yū’s Paintings of Tokugawa Iemitsu’s DreamsKaren M. Gerhart
MN 58:3 (2003) 347–96Oil Painting in Postsurrender Japan: Reconstructing Subjectivity through Deformation of the BodyBert Winther-Tamaki
MN 57:4 (2002) 509–528Digitalizing Japanese ArtHenry D. Smith II and Matthew P. McKelway
MN 57:1 (2002) 1–42Reexamining Tea: “Yuisho”, “Suki”, “Yatsushi”, and “Furumai”Isao Kumakura, Translated by Peter McMillan
MN 55:4 (2000) 483–508Kano Tan’yū and Hōrin Jōshō: Patronage and Artistic PracticeKaren M. Gerhart
MN 55:2 (2000) 257–69Shunga: Function, Context, MethodologyAllen Hockley
MN 54:2 (1999) 217–46Lost in the Cosmos and the Need to KnowRichard A. Gardner
MN 52:4 (1997) 541–546The Taitokuin MausoleumWilliam H. Coaldrake
MN 52:2 (1997) 145–80Embodiment/Disembodiment: Japanese Painting during the Fifteen-Year WarBert Winther-Tamaki
MN 52:1 (1997) 1–34Tokugawa Authority and Chinese Exemplars: The Teikan Zusetsu Murals of Nagoya CastleKaren M. Gerhart- MN 52:1 (1997) 59–84Sex, Lies, and the Illustrated Scroll: The Dōjōji Engi EmakiVirginia Skord Waters
- MN 52:1 (1997) 75–84Dōjōji Engi EmakiTranslated by Virginia Skord Waters
MN 51:4 (1996) 431–60Kiyokata’s Asasuzu: The Emergence of the Jogakusei ImageMariko Inoue
MN 51:2 (1996) 171–87Dodoitsubō Senka and the Yose of EdoGerald Groemer
MN 50:4 (1995) 433–84The Shogun’s ‘Painting Match’Karen L. Brock
MN 49:4 (1994) 423–53What’s in a Name? Fujiwara Fixation in Japanese Cultural HistoryMimi Hall Yiengpruksawan
MN 49:3 (1994) 315–29Yakaku Teikinshō: Secret Teachings of the Sesonji School of CalligraphyAlex Kerr and Gary DeCoker- MN 49:3 (1994) 319–29Yakaku TeikinshōKoreyuki Fujiwara, Translated by Gary DeCoker and Alex Kerr
MN 49:2 (1994) 167–96Public Display and Changing Values: Early Meiji Exhibitions and Their PrecursorsPeter F. Kornicki
MN 49:1 (1994) 75–87A Celebration of ArtPatricia J. Graham- MN 49:1 (1994) 89–95Different StrokesDavid Pollack
MN 48:4 (1993) 407–28The Strangest Place in Edo: The Temple of the Five Hundred ArhatsTimon Screech
MN 48:3 (1993) 315–36Yamanaka Shinten’ō: The Albatross of Japanese PaintingStephen Addiss
MN 48:1 (1993) 33–52The House of Gold: Fujiwara Kiyohira’s KonjikidōMimi Hall Yiengpruksawan- MN 48:1 (1993) 89–99Two Artists of the Edo PeriodPatricia J. Graham
- MN 48:1 (1993) 101–108Japonisme in the WestMarie-Thérèse Barrett
- MN 48:1 (1993) 109–14Flowing TracesMimi Hall Yiengpruksawan
MN 47:4 (1992) 495–519The Bulls of Chōmyōji: A Joint Work by Sōtatsu and MitsuhiroSandy Kita
MN 47:3 (1992) 323–46Painted Poems, Forgotten Words: Poem-Pictures and Classical Japanese LiteratureJoshua S. Mostow
MN 46:3 (1991) 329–47In My Image: The Ichiji Kinrin Statue at ChūsonjiMimi Hall Yiengpruksawan
MN 46:2 (1991) 173–202Arts of War in Times of Peace (Part 3): Swordsmanship in Honchō Bugei Shōden, Chapter 6John M. Rogers- MN 46:2 (1991) 179–202Chapter Six: SwordsmanshipHinatsu Shigetaka, Translated by John M. Rogers
MN 45:4 (1990) 413–47Arts of War in Times of Peace (Part 2): Swordsmanship in Honchō Bugei Shōden, Chapter 5John M. Rogers- MN 45:4 (1990) 418–47Chapter Five: SwordsmanshipHinatsu Shigetaka, Translated by John M. Rogers
MN 45:3 (1990) 253–84Arts of War in Times of Peace (Part 1): Archery in Honchō Bugei ShōdenJohn M. Rogers
MN 44:2 (1989) 221–22Muromachi Screen Paintings