Founded in 1938 and published semiannually by Sophia University
MN 51:1 (1996) 17–52The Visions of a Creative Artist: Zenchiku’s Rokurin Ichiro Treatises (Part 4)Zenchiku, Translated by Mark J. Nearman
MN 50:4 (1995) 485–521The Visions of a Creative Artist: Zenchiku’s Rokurin Ichiro Treatises (Part 3)Zenchiku, Translated by Mark J. Nearman
MN 50:3 (1995) 281–303The Visions of a Creative Artist: Zenchiku’s Rokurin Ichiro Treatises (Part 2)Zenchiku, Translated by Mark J. Nearman
MN 50:2 (1995) 235–61The Visions of a Creative Artist: Zenchiku’s Rokurin Ichiro Treatises (Part 1)Mark J. Nearman- MN 50:2 (1995) 240–61Rokurin IchiroZenchiku, Translated by Mark J. Nearman
MN 41:4 (1986) 512–513Zeami’s Style: The Noh Plays of Zeami Motokiyo by Thomas Blenham HareMark J. Nearman
MN 38:2 (1983) 216–19The Musical Structure of Nō by Akira Tamba, Patricia MatoréMark J. Nearman
MN 38:1 (1983) 49–71Kakyō: Zeami’s Fundamental Principles of Acting (Part 3)Zeami Kanze Motokiyo, Translated by Mark J. Nearman
MN 37:4 (1982) 1982Kakyō: Zeami’s Fundamental Principles of Acting (Part 2)Zeami Kanze Motokiyo, Translated by Mark J. Nearman
MN 37:3 (1982) 333–74Kakyō: Zeami’s Fundamental Principles of Acting (Part 1)Mark J. Nearman- MN 37:3 (1982) 343–74Kakyō: A Mirror of the Flower (Part 1)Zeami Kanze Motokiyo, Translated by Mark J. Nearman
MN 35:2 (1980) 153–97Kyakuraika: Zeami’s Final Legacy for the Master ActorMark J. Nearman- MN 35:2 (1980) 161–97Kyakuraika: The Flower of ReturningZeami Kanze Motokiyo, Translated by Mark J. Nearman
MN 33:3 (1978) 299–332Zeami’s Kyūi: A Pedagogical Guide for Teachers of ActingMark J. Nearman- MN 33:3 (1978) 307–32The Nine LevelsZeami Kanze Motokiyo, Translated by Mark J. Nearman