The Sublime Perversion of Capital: Marxist Theory and the Politics of History in Modern Japan by Gavin WalkerViren MurthyMN 73:1 (2018) pp. 119–26 → muse.jhu.edu/article/702722ShareImitation and Creativity in Japanese Arts: From Kishida Ryūsei to Miyazaki Hayao by Michael Lucken, trans. Francesca SimkinFlowers That Kill: Communicative Opacity in Political Spaces by Emiko Ohnuki-Tierney