The Pleasure Quarters of Edo and Nanjing as Metaphor: The Records of Yu Huai and Narushima RyūhokuEmanuel PastreichMN 55:2 (2000) pp. 199–224 → jstor.org/stable/2668427ShareSong as Cultural History: Reading Wakan Rōeishū (Part 1: Texts)Who Can’t Read and Write? Illiteracy in Meiji Japan