The Gods Left First: The Captivity and Repatriation of Japanese POWs in Northeast Asia, 1945–1956 by Andrew E. BarshayLori WattMN 70:2 (2015) pp. 363–67 → muse.jhu.edu/article/611536ShareCinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics by Yuriko FuruhataThe Aesthetics of Shadow: Lighting and Japanese Cinema by Daisuke Miyao