Song as Cultural History: Reading Wakan Rōeishū (Part 1: Texts)Ivo SmitsMN 55:2 (2000) pp. 225–56 → jstor.org/stable/2668428ShareShunga: Function, Context, MethodologyThe Pleasure Quarters of Edo and Nanjing as Metaphor: The Records of Yu Huai and Narushima Ryūhoku