Ōe no Masafusa and the Practice of Heian AutobiographyMarian Ury and Robert BorgenMN 51:2 (1996) pp. 143–51 → jstor.org/stable/2385084ShareFemale Self-Writing: Takamure Itsue’s Hi no Kuni no Onna no NikkiPurely Mass or Massively Pure? The Division between ‘Pure’ and ‘Mass’ Literature