Maximum Embodiment: Yōga, The Western Painting of Japan, 1912–1955 by Bert Winther-TamakiMikiko HirayamaMN 68:1 (2013) pp. 140–43 → muse.jhu.edu/article/524542ShareThe Okinawan Diaspora in Japan: Crossing the Borders Within by Steve RabsonWomen Adrift: The Literature of Japan’s Imperial Body by Noriko J. Horiguchi