Le Chrysanthème solitaire by Jacqueline Pigeot, Keiko KosugiJacques BésineauMN 40:4 (1985) pp. 427–28 → jstor.org/stable/2384825ShareSaigyō-Rezeption: Das von Saigyō verkörperte Eremiten-Ideal in der japanischen Literaturgeschichte by Keiko Hartwieg-HiratsukaBackstage at Bunraku: A Behind-the-Scences Look at Japan’s Traditional Puppet Theatre by Barbara C. Adachi