Interview with a Bakumatsu Official: A Translation from Kyūji Shimonroku (Part 1)Anna BeerensMN 55:3 (2000) pp. 369–98 → jstor.org/stable/2668297ShareSong as Cultural History: Reading Wakan Rōeishū (Part 2: Interpretations)Shadows of Transgression: Heian and Kamakura Constructions of Prostitution