Ankoku Butō: The Premodern and Postmodern Influences on the Dance of Utter Darkness by Susan Blakely KleinDavid G. GoodmanMN 44:4 (1989) pp. 512–513 → jstor.org/stable/2384548ShareThe History and Theology of Soka Gakkai: A Japanese New Religion by Daniel MetrauxTwelve Plays of the Noh and Kyogen Theaters by Karen Brazell