A Note on the Hyakumantō DhāranīBrian HickmanMN 30:1 (1975) pp. 87–93 → jstor.org/stable/2383697ShareMori Ōgai’s Response to Suppression of Intellectual Freedom, 1909–12Japan’s First Modern Theater: The Tsukiji Shōgekijō and Its Company, 1924–26